Tag: Deer Valley

  • Capturing the Character

    Capturing the Character

    In 2004, Alex Nabaum and his wife, Shayna, built their family home in Heber Valley. While completing their basement, Nabaum looked for ski posters of the surrounding areas. He had a vision to complete their interior design by giving a nod to our local resorts. Skiing has been a family hobby for years, and — after all — they now lived in Utah with the “greatest snow on earth!” Best be celebrating that! He rummaged through many posters on his quest to find the right art to represent our resorts; there was no authenticity to the ones he found. Run-of-the-mill prints of the Swiss Alps, with local verbiage and images superimposed over the top, were the best he could drum up. He was disenchanted. Experiencing a need firsthand for quality local ski posters spurred an idea. It was the catalyst for what is now SkiPosters.Art.

    Nabaum began his career as an artist at age 15, working as a caricature artist. You may remember the bobblehead art, so popular in the 90’s! That was his first paid job as an artist. After graduation, he became a true blue Aggie studying art at Utah State on a scholarship. Alex caught a great break for an aspiring artist and was hired by the Ogden Standard-Examiner as an illustrator and graphic designer. He then moved on to work for Desert News as a staff artist. When the Winter Olympics arrived in 2002, Alex took on the night shifts (undesired by most of the other staff) to free up his days to launch his freelance work with his clientele during the traditional work day. By 2004, he was able to set off on his own, working as a freelance illustrator for big names like the Wall Street Journal, the New York Times, and the Los Angeles Times.

    He touts with a chuckle that he made the cover of ESP — not by way of the typical route as an athlete, though. Professionally, he has worked with Forbes, Time, Newsweek, Readers Digest, National Geographic, and many more.

    Growing up south of Denver, he spent time in powder on the slopes of our neighboring east side of the Rockies. After moving to Utah, Nabaum and his family became well-versed in the resorts of our area. For the past five years, Alex has combined his passion for art and skiing, pouring his heart and soul into creating his amazing poster art. Nabaum has iconic renditions of all of our beloved resorts, Sundance, Deer Valley, and Park City.

    Ski resort involvement may be genetic! Alex’s grandfather and businessman, Sherman Nabaum, became chairman of the Winter Sports Committee, who helped raise the original $10,000 to launch Alta in 1938. To kick off his work, Nabaum dives deep into history to root out all the tiny details that capture the unique character of each location. The next step in making it an authentic representation takes a visit or two to really experience the feel and soak up the scenery. Nabaum’s daughter has been known to tag along, helping him take pictures and ‘live’ the moment. They go ‘see it’ from the visitor’s perspective. They take photographs and sketches to brainstorm ideas and create a visual collection inspiring the final piece.

    Here is where his true artistic nature shines through. His creativity is off the hook! Deep, rich layers are in the ties between his art and each ski resort experience. Let me — ‘ahem’ — paint the picture for you. There are three different editions for each poster. They are named based on the three pertinent numbers for a ski resort: Base, Vertical, and Summit Editions. For example, the base elevation of Deer Valley is 6,570 feet; therefore, he prices his Base Edition at $65.70. Savvy? Now consider the vertical drop of the resort at 3,000 feet, thus making the Vertical Drop Edition $300.00. Finally, we hit the summit. Deer Valley peaks out at 9,570, so naturally, the Summit Edition is $957.00.

    To encapsulate even more of the exact physical locations in the art, Nabaum describes a special connection. “I ride, hike, ski, or backpack to the highest point of the resort and collect a bag of snow, which I document on my SkiPosters.Art Instagram.” The snow is mixed into the Vertical and Summit Editions paint! The Summit Edition’s entire white paint surface is mixed with the snowmelt from the physical summit. The Vertical Edition prints receive a dose of colors mixed using the snow. Nabaum describes how this technique makes each print “literally drip with authenticity.” He smiles as he tells of how he has had some funny looks from ski patrol when he gathers his bags of snow. He has two bottles of snowmelt for each resort. He guards it with his life!

    Within the art itself, he richly weaves symbolic images to represent the history and feel of each location. He takes painstaking measures to create just the right pallet of colors to capture the landscape and story of each resort. Both online and included with each print is a cheat sheet of the symbolism, hidden objects, and ideas of each poster. Let me give you an example. If you take a peek at the Deer Valley poster, you’ll see skiers traveling beautiful corduroy snow that is also lovely groomed locks of ritzy clientele. (Fun trivia: the French word ‘Cord du Roi’ means ‘cord for Kings.’) The award-winning grooming of Deer Valley is highlighted while masterfully emphasizing the prominence often found in the characters on DV slopes and lifts. Even the elegance of the bathrooms is mentioned on the cheat sheet, pointing towards the luxury, and showcased using the monogram in the art! Check out all the fascinating and playful symbols of each piece at skiposters.art

    Park City’s poster highlights the iconic intersection of the lift and Main Street. Nabaum shared a story of how his high school friends had an elaborate system to all share one ski pass for the season. It worked because of Park City’s arrangement with Main Street! Once on the lift, they had a planned location to insert their pass into a mitten and drop it down onto the street. They would each take their turn getting on the lift with their pass and mitten. Ah, the creativity of youth and memories it makes!

    Sundance is known for artistic flair and, of course, the resort’s visionary, Robert Redford. Front and center on Sundance’s poster is the top portion of the famous Morning Prayer sculpture by Apache artist Allan Houser. Skis with references to Redford’s films are stuck in the snow behind the sculpture, and in the distance is our beloved Timpanogos. The poster perfectly represents a little piece of our Heber Valley home.

    The Nabaum’s basement has long since been completed and fully adorned with unique ski posters, hand printed by the artist at his home, but the passion has a momentum that rolls on. Although Alex and his family recently moved to Idaho, his years here in Wasatch County have gained him a loyal local following. Heber Valley resident Jeff Danley collects the first edition of each Base Edition. Be sure to watch for more favorites coming down the line. Solitude, Brighton, Big Sky, and Mammoth will be released in 2024. Just as sure as the snow will fly, Nabaum’s adventures and art will continue for years to come.

    ski.posters.art
    @skiposters.art

  • The Mayflower Star Mine

    The Mayflower Star Mine

    In January, 2019, while skiing down to the Sultan Express Chairlift at Deer Valley, I noticed the outlines of an old silver mine below the lift to the East, and a large mine tailing area even further down the mountain.

    As a trained geologist, whose first job after college was exploring for geothermal energy and related epithermal ore deposits in Utah and Nevada, my curiosity was raised! In May of 2020 I finally got the chance to hike up and visit these old mines of the Park City Mining District, Mayflower Complex. The large tailings hill I saw from the chairlift was part of a rich silver-gold-lead-zinc mine called the Star Tunnel, the highest and north-western-most working mine in the Mayflower Complex. For the next three years I made numerous hikes up to the Star Tunnel and surrounding mines. Today, they are all abandoned, with remains of a once thriving miners camp complete with saloon, cabins, latrines, workshops, storage buildings, assay offices and, of course, mine shafts and tailings piles.

    The story of the Mayflower Mine, especially the Star Tunnel, has been forgotten over time. Most of the attention, both historical and commercial, went to mines and other historic ruins closer to Park City, like the Silver King, Judd, Dailey, Crescent, Thaynes, and other great producers of silver, lead and zinc. However, only the Mayflower, and a few other small mines near Park City, had not only these “big three” minerals, but were also quite rich in gold. In fact, The Mayflower and Pearl veins, accessed by the Star and other tunnels, were some of the richest gold and silver producing veins of the entire Park City Mining District.

    The mines first opened at the turn of the century. Unfortunately, the underground tunnels, as in other mines, quickly flooded. The water was hot, with temperatures in the tunnels reaching 150 degrees. The same aquifer that feeds the now famous Homestead Crater and surrounding hot springs in Midway, also poured steamy water into these tunnels. After a certain depth and relatively short timeframe, mining was abandoned at the Star and other tunnels. The narrow gauge railway that brought the rich ore down was pulled up, and the area was temporarily abandoned. The lower Mayflower Mine, closer to Highway 40 and the Jordanelle Reservoir, continued to produce into the 1960s. Other mineable minerals included iron and copper, but silver, lead, zinc and gold were the real money-makers.

    Early miners and mining engineers shared interesting stories about their lives underground in the Mayflower and other Park City Mining District tunnels. Several of the volunteers at the Daughters of Utah Pioneers museum in Heber City recalled how their fathers worked in these mines, enduring long hours in tight spaces, drilling, blasting and hauling ore from the tunnels.

    Later attempts to get the Star and other upper Mayflower tunnels working again met with some success; including construction of a drain tunnel which is now a water source for the small Glencoe Canyon stream and potentially for the new Mayflower Resort development. However, the water and temperature issues in the deeper tunnels prevented further exploration and soon she was another ghost camp. The Star Tunnel’s tailings are immense, covering several kilometers and towering over two hundred feet in height. The miners once produced high quality bricks and lead for sealing pipes and other uses. In later years, a large electrical plant was built above the mine, closer to the Sultan Express and Mayflower ski lifts of Deer Valley Resort. Other, nearby rich but smaller ore deposits were prospected and mined, including the Glencoe Mine.

    Perhaps the most important and interesting features of the Mayflower mining complex includes the flora and fauna-rich Glencoe Canyon, with its rain and drain tunnel-fed stream, and the surrounding ridges, gullies and hills. Historical ruins abound, from early telegraph/telephone poles and lines to cabins, mine buildings, mine shaft riggings, diggings, tailings, etc. With a little effort and investment, the once rich Star Mine could easily be restored for tourism, serving both Deer Valley and Mayflower Resort guests in addition to the public. Plans for bike and hiking trails in Glencoe Canyon and surrounding areas already exist and at least one trail is already built that gets explorers close to the Star Mine. Of course, the once public (BLM) and mining company — owned land is now private, bought up and consolidated by Extell Corporation of New York/Utah. In partnership with the Military Installation Development Authority (MIDA) and potentially with Deer Valley, Extell has cut out ski runs, roads, expensive home sites and is building a large hotel and condominium complex. Perhaps a partnership can be worked out between the developers/resorts and Wasatch County Parks and Recreation to establish a historical and natural attraction, accessible by the public, around the former Star Mine. The Extell Senior Vice President for Development, Kurt Krieg, did a fantastic job helping develop the Gerald Ford Amphitheater and Botanical Garden in Vail, CO. His expertise will ensure that Mayflower is a beautiful resort and could also be used in establishing a historic site, perhaps complete with an outdoor concert amphitheater below the Star Mine ruins. Local artists would be sure to utilize such a venue.

    Numerous articles have been published regarding this new resort development and partnerships by both local news, real estate and development corporation writers and are easily accessed online. There are also several excellent articles on the history and geology of the Park City Mining District and the Park City Museum is a great place to visit and learn more about our incredible mining and early ski resort history.

    As we move into the future it is important we preserve what we can and not forget our past and those who paved the way for us to be where we are today.

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