Tag: culture

  • COFFEE. FOOD. PEOPLE.

    COFFEE. FOOD. PEOPLE.

    For anyone who has ever moved to a different state or country, you know that there will inevitably be at least one thing you yearn for. It sneaks up and nags at you, even if you are happy in your newfound home. After moving from Sydney, Australia, to Park City to support her sons’ ski racing ambitions, Emma Worsley quickly realized just how much she missed great coffee—the overall culture around breakfast, food, and, most of all, that community feel.

    During my delightful time spent talking with Emma and her general manager, Krystina Clough (a true dynamic duo!), Emma explained, “Eating [in Australia] is so different. Spaces are shared more, so the experience is shared.” Aussies tend to be early risers, so breakfast is early and much more a part of everyday culture than for the typical American. Inspired to bring a little taste of home to Utah, Emma opened Harvest in Park City in 2017 and most recently in Midway this past August.

    Long before arriving in Park City, Emma had built a strong foundation in the restaurant industry. In Sydney, she opened and owned restaurants, including her first at the young age of 21, and later explored another side of the business through restaurant supply. Emma has seen and done it all. However, even before that, the foundation for her appreciation of good food and time spent gathering around it was laid in her childhood home. Her mother, a solo parent who worked as a nurse, made sure her busy family gathered together for dinner each night. No small feat! Meals would be coordinated with work breaks, and her mother would leave handwritten instructions on partially prepared meals. When the time came, Emma or one of her sisters would finish preparing the meal, making sure everything was ready so that when their mother walked in from the hospital, the family could gather and share a homemade dinner together. Such a beautiful act of love, which created a lasting legacy. Emma carried on the tradition of family meals with her four children. A tradition she continues even further with Harvest.

    At each location, three words simply and succinctly greet you. “Coffee. Food. People.”  The company’s guiding principles. Their menu is full of delicious, made-from-scratch choices. Their goal is to provide clean, health-minded choices that still feel indulgent, flavorful, and comforting. Tip for those with picky eaters— smoothie number two is divine. My kiddos devoured it! And the coffee is indeed delicious, and sourced from Utah’s own Idle Hands Roasting Co. in Salt Lake City. Notably, they source a significant portion of their ingredients and products from Utah companies, including several based in Heber Valley. The list includes Auntie Em’s, Casperville Creations, City Cakes, Hans Kombucha, Hawk and Sparrow, Heber Valley Cheese, Lococo, Lone Pine Bakery, Mountain Mamas Bakery, Park City Creamery, Rimini, Ritual Chocolate, Rosehill Dairy, and Sweets & Cheese. A list to be proud of! At Harvest, partnerships are at the heart of what they do, helping guarantee fresh, high-quality ingredients while strengthening their deep commitment to community and connection.

    Emma’s vision with Harvest is to bring people together with food. To them, this doesn’t only extend to patrons, but also to employees. Emma and Krystina share a strong belief that how employees are treated naturally carries over into the experience guests receive. They take great pride in their team and deeply value the contributions employees make to Harvest, striving to create a workplace that feels positive, rewarding, and supportive. Krystina’s path with Harvest is a perfect example of this culture. While working as a barista in Park City, she met Emma during post-workout coffee runs. That connection eventually led her to join Harvest, where she later embraced the opportunity to step into a management position. Krystina loves where she’s at. “I feel like I’m where I need to be. I am able to be my authentic self. And I love our staff.” A sentiment she shares with Emma, who is constantly impressed by how her amazing team works, and “how they show up.” In my experience, their staff are all warm and kind individuals who together create a wonderful overall atmosphere.

    The welcoming staff are the perfect complement to the building’s fun, inviting design. The space, designed by 89 Oak in Park City, is beautiful, eclectic, and inviting. Emma explained how the design team “just got what I wanted creatively.” Their vision came together, with a fresh earth-toned palette, filled with charming details with nods to Emma’s Australian roots (including Vegemite jars at the bar). The space is divided into distinct zones to offer guests different experiences: a cozy, intimate lounge area with couches; an area with tables facing the busy kitchen, elegant, large family-style tables; bar seating along a beautiful, green stone counter; and outdoor seating on a patio. Emma wants all guests (including kiddos) to feel welcome and at ease.

    “A tuck shop is a casual spot to grab lighter fare, a quick bite, or a bit of a treat.”

    The large building also plays an important logistical role. Its spacious kitchen allows the team to prepare dishes for their Park City locations, where kitchen space is limited, while also enabling them to serve more guests comfortably on-site. Sundays, in particular, are bustling, with families, friends, and visitors filling the dining room. In addition to outstanding food, guests can enjoy live music every Sunday from 11 a.m. to 1 p.m. While the team has no shortage of future plans, one especially exciting addition is the upcoming “Tuck Shop,” set to open behind the building. If you’re unfamiliar with the term, you’re not alone. Popular throughout Australia, a tuck shop is a casual spot to grab lighter fare, a quick bite, or simply, as Emma described it, “a bit of a treat.”

    Emma and Krystina shared that opening in Midway represents more than expanding Harvest’s footprint—it’s an opportunity to become part of a new community. “It’s more than just Harvest, it’s the whole community,” Krystina said. Both have embraced getting to know Midway, a beautiful, distinctive town known for its generational families and relaxed pace of life. They are excited to continue building relationships and deepening their connection to the area. Stop in, slow down, enjoy a great cup of coffee, and experience this charming slice of Aussie-style dining on Midway’s Main Street.

    Visit Harvest: 195 W Main, Midway
    harvestparkcity.com

  • The Journey of Russ Jones

    The Journey of Russ Jones

    Music can touch our hearts, create connections, and speak to our souls. Music transcends time, cultures, and languages, and few instruments can evoke that ethereal and transcendent power as the Native American flute.

    Aretha Franklin once said, “Music can take you right back, years back, to the very moment certain things happened in your life.” For Russell Jones, one of those moments would happen while working as a Substance Use Disorder Counselor. The clinical director asked Russ if he would teach a class on Don Miguel Ruiz’s book The Four Agreements. Russ read the book and, at that time, didn’t feel he understood the beliefs well enough to teach them. He politely declined to teach the class; however, several people attending invited him to go with them to Mexico. This simple invitation would take Russ on not only a spiritual journey but a life journey he couldn’t have imagined.

    Russ explains, “I kept on resisting, but then three people in two months asked me to go on one of these spiritual journeys to the pyramids of Teotihuacan. So, I agreed to go. I went there, and I had this incredible spiritual experience. A voice came to me and said, ‘You need to move here. You need to find a teacher, and you need to learn from these people.’ So, I did.”

    For the next two years, Russ would travel between Utah and Mexico while participating in an apprenticeship and learning about the ideology of the indigenous people of Mexico. Russ shares, “During my apprenticeship, one of my teachers played the flute; part of Don Miguel Ruiz’s and the Mexican indigenous people’s ideology is around vibration. And, I thought, I want to play the flute. […] So, when I came home, I went to the Native American Trading Post on Redwood Road, and I found this little $40 flute that spoke to me. This was in 2011, and, by this time, I’m 53 years old and I’ve never played a musical instrument in my life.” He chuckles as he continues, “I followed the directions on the DVD and did the drill, and the next week I bought a bigger flute, and, that is how I started my journey of playing the flute.”

    Across various cultures, wooden flutes are widely associated with spirituality and a connection to nature. Native American flute music, specifically, is a deeply spiritual and evocative art form that carries the rich cultural heritage of Indigenous peoples across North America. Russ was drawn to the emotive, melodic, and soothing tones; the perfect music for meditation, healing, and storytelling. All things that Russ has a passion for, so, it was a natural progression for him to begin recording and sharing his music with others. He explains, “[…] I bought an amplifier, started to add in some echo and reverb, and recorded my first album on my iPhone 4. I put it on YouTube and iTunes, and I made a disc; it wasn’t the most professional recording job, but it got the point across.”

    Russ didn’t know it then, but things were about to get a lot more ‘professional’ for this self-taught flautist! He shares, “I asked a friend of mine, Leraine Horstmanshoff, how she played in front of other people, how that all worked, and she told me that we were going to have a concert at her house. So, I had my first concert in Sugar House at Leraine’s. And, I think 50, maybe 60 people showed up, and we had a lot of fun.” Another friend offered to let Russ record in his studio; however, after that experience, Russ discovered that recording in a soundproof room wasn’t his thing.

    If you’ve ever heard the almost whispered tones of a wooden flute, you might agree that they deserve to be played in open airy spaces where their vibrations can be felt and heard. And so, Russ would play and record where he was most comfortable: his home or the homes of friends, out among the rustling aspens against the magical backdrop of our beloved Utah mountains, or during his travels to Mexico and Peru where he was one of the very few allowed to play at Machu Picchu. Wherever he was, Russ played every day. He reminisces, “I started posting videos on Facebook, and one of my songs went viral; 40 to 60,000 people listened to it in a month. That was just amazing to me because I’m nobody. I’m like, I don’t even know what I’m doing. I just sit down and play the flute.”

    Russ may have thought he was a nobody—but others were taking notice, including professional musician, Douglas Morton. Russ shares, “One day while having lunch with Leraine, Douglas walks in and starts talking to her, and he looks at me and says, ‘Hey! You’re that flute dude. I want to jam with you. Let’s pick a time.’ I was taken aback, I mean he’s been doing music and sounds for over 30 years. He’s played with some of the biggest names in music and rock and roll.” Russ continues, “I went to his place in Park City, and I brought a bunch of flutes, and we played together. He played the keyboards and I played the flute. In an hour and a half, we recorded our first album together called Into the Woods. Douglas was, and still is, so supportive of my music. He’s a perfectionist and he spent a lot of time on that album, which paid off because it won best flute album in Europe.” The two make a great team and in 2023 they released their second album Infinite (Morton Jones) which was picked up by Awareness, a sub-label of Heart Dance Records. “I was really excited and proud to be picked up by a record company. […] It’s great to be recognized and make a little money, but I agree with Douglas, when he says, ‘We play because we want to help people. If we can help someone relax or fall asleep; if we can bring joy to somebody—then we’re doing what we need to be doing as musicians.’” Well, they’re definitely doing something right; Russ, who was recently accepted into the Recording Academy, has been invited to be a voting member for the Grammys.

    Russ continues to record and post videos to Facebook; however, he now also live-streams while playing wherever he is every morning from 9 a.m. to 10 a.m. He says, “I have the best professional recording equipment now, and a little recording studio at my place, and I can still use some professional help but really I just want to play the flute.” Russ shares that he has fans from Kenya, Australia, the U.K., Canada, and the U.S., who tune in to listen to him play live. “Sometimes there are maybe 20 people, sometimes there are only three. I just play from the heart, and hope I help someone have a better day.”

    Playing from the heart, and genuinely wanting to connect with world cultures and their histories has led Russ to embrace wind instruments from around the globe. Over time, Russ has incorporated the haunting tones of the Japanese Shakuhachi and the pastoral sounds of the Balkan Kaval into his repertoire. Each instrument, with its distinct voice, adds a new layer to Russ’s poignant music and emotive performances.

    Fourteen years ago, Russ Jones picked up and played his first Native American flute, and since then Russ has been collecting more than just friends and fans, he’s also collected over 300 flutes. “I’m a collector by nature, and so, I started to collect flutes. I read a book by Doctor Richard W. Payne about these old indigenous flutes, and I just became fascinated by these flutes and the people who made them. As I learned about the family names of these old members and the players, I used Facebook to contact their family members. I was interested in their stories and soon discovered that I had a reputation as someone willing to spend money on these old flutes. Some Native flutes I have were born in the 1880s—they’re pretty rare pieces. I don’t know if I have the largest collection in the Western states as a personal person, but I have a pretty good-sized collection.”

    When Russ first began his collection, and only had three flutes, he discovered his third flute had a bit of a squeak. This unwanted squeal would lead to another ‘life-changing moment.’ Russ describes his experience, “When I first met Bill Hughes, he had been making flutes for 25 years. I told him, I had one of his flutes and it squeaks when I play. He just looked at me and said, ‘You should play softer.’ So, I blew softer and it played beautifully.” Bill was not only a mentor and support to Russ; he was the inspiration and guide Russ needed to access another gift in his creative toolbox. “Bill kept trying to get me to make a flute, and I told him, I’m a flute player, not a flute maker.” Bill was patient. A few years ago, Russ received a call from a friend about a large walnut tree that had just been cut down. He shares, “It’s believed that Brigham Young planted that tree; it was at one of his wives’ homes in Sugar House. I drove down there, picked up a bunch of the logs, and took them to Bill. And, that’s when he finally talked me into making a flute with him—that was my first flute-making experience.”

    The wood a Native flute is crafted from holds significant symbolic meaning and can represent nature, emotion, and connection to the spirit world and the world around us. For Russ, that moment was not merely about producing an instrument; it was more about preserving history, tradition, culture, and a passion that filled his soul with joy. As he continued his journey, Russ was led to another craftsman named, Geoffrey Evans, who taught Russ how to make flutes the old way: hand-carved without a lathe or a router. When one handcrafts a flute one can ensure that each piece carries a unique soul, a resonance that mirrors the vibrational energy of the earth. An instrument that is an extension of the maker. Whether we play, collect, or listen to the tranquil tones to ground ourselves to Mother Nature, we can all learn something from creating a Native flute. So, it makes sense that once Russ began creating custom, hand-crafted flutes for himself, friends started to ask if he would teach them.

    “Now I have a little shop outside my cabin where I teach. I have around ten flute students, and in the last three weeks, I’ve taught two other people how to make their own flute. It’s really crazy, I mean, I’m just this guy who loves the flute. I never in my whole life thought I’d be a flute guy, or make flutes, or be a voting member of the Grammys. I thought the only instrument I’d ever play was a stereo. But I love it. And, I’ve met so many amazing people because of it.”

    Russ has indeed made connections all over the globe, some world-famous, others well-known within the Native flute realm and various music genres, and thousands of others. Music truly is a universal language that transcends cultural and geographic boundaries.

     

    @RussJonesNativeFluteMusic
    @russjones_flutemusic

  • Calling All Artists!

    Calling All Artists!

    With all of the talented artists we have here in our valley it should come as no surprise that, collectiviely, their art work can be seen from Wasatch County to all across the globe. This spring and summer there is an opportunity for our amazing artists to share their gift(s) with Summit County by creating a Historical Mural in Hoytsville, Utah.  

    “The SCPAAB is seeking qualified artists to create a two-dimensional mural celebrating and honoring the history, heritage, and culture of Hoytsville and Summit County. The mural will be installed on the exterior of the Public Works Building in Hoytsville and should be approximately 121’X11’, with some flexibility based on design concept and development. There are plans to also include a “listening tour” with interviews from Hoytsville residents, local historians, and Indigenous Tribal members.”

    The project will have a budget of $10,000; deadline for RFQ submissions is February 20, 2022 by 5:00 pm (MST). To learn more please visit: www.summitcounty.org

    According to the SCPAAB’s website the following requirements are needed for application submission:

    Letter of Interest – This letter should be no more than one page and should explain the Artist’s interest in the project.

    Current Resume – If submitting as a team, a current resume for each team member [should] be provided.

    Visual Support Materials – Submit 10 digital images of your professional work. Images must be submitted in the following format:

    • File Type: JPEGs
    • Image Size: Images to be no more than 1920 pix on the longest side saved at 72 dpi.
    • File Labeling: Files must be titled with a number indicating the viewing order, followed by the artist’s last name. The numbers must correspond to the accompanying Image List.

    Use “0” in front of single digit numbers. Do not use more than 30 characters, and use only letters, numbers and underscores, example: 01_Smith.jpg

    Annotated image list – The image list must include the artist’s name and a brief description of the image stating its title, date, medium, size, location and if a commissioned project, the commission budget.

    Community Engagement: 2-3 Examples of community engagement projects or workshops that were coordinated with past public art projects.

    References – A list of at least three professional references that have an intimate

    knowledge of artist’s work and working methods. The list must include complete emails and telephone numbers.

    Contract – The individual(s) selected shall be required to enter into a professional services agreement with the County on a form to be drafted and approved by the Summit County Attorney’s Office. Applicants must read the County’s standard professional services agreement (posted at http://summitcounty.org/249/Public-Art), which includes the artist’s mandatory insurance requirements. Contracted Artist(s) may be subject to additional requirements in the contract related specifically to the project.

    Materials (including links to file sharing services) should be emailed to: [email protected] with the subject line: RFQ Submission – Hoytsville Historical Mural.

    All submissions must be received by 5:00pm MST on February 20, 2022. Submission of digital materials is required. Digital format responses will be accepted via email (Attn: Thea Henney, Summit County Public Art Advisory Board Administrator at [email protected]).

    Questions

    Summit County Public Art

    Attn: Thea Henney

    Summit County Public Art Advisory Board Administrator

    PO Box 4455

    Park City, UT 84060

    [email protected]

    http://summitcounty.org/249/Public-Art

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